-
W empik go
The Copy–Cat and Other Stories - ebook
Wydawnictwo:
Data wydania:
1 lipca 2022
Format ebooka:
EPUB
Format
EPUB
czytaj
na czytniku
czytaj
na tablecie
czytaj
na smartfonie
Jeden z najpopularniejszych formatów e-booków na świecie.
Niezwykle wygodny i przyjazny czytelnikom - w przeciwieństwie do formatu
PDF umożliwia skalowanie czcionki, dzięki czemu możliwe jest dopasowanie
jej wielkości do kroju i rozmiarów ekranu. Więcej informacji znajdziesz
w dziale Pomoc.
Multiformat
E-booki w Virtualo.pl dostępne są w opcji multiformatu.
Oznacza to, że po dokonaniu zakupu, e-book pojawi się na Twoim koncie we wszystkich formatach dostępnych aktualnie dla danego tytułu.
Informacja o dostępności poszczególnych formatów znajduje się na karcie produktu.
Format
MOBI
czytaj
na czytniku
czytaj
na tablecie
czytaj
na smartfonie
Jeden z najczęściej wybieranych formatów wśród czytelników
e-booków. Możesz go odczytać na czytniku Kindle oraz na smartfonach i
tabletach po zainstalowaniu specjalnej aplikacji. Więcej informacji
znajdziesz w dziale Pomoc.
Multiformat
E-booki w Virtualo.pl dostępne są w opcji multiformatu.
Oznacza to, że po dokonaniu zakupu, e-book pojawi się na Twoim koncie we wszystkich formatach dostępnych aktualnie dla danego tytułu.
Informacja o dostępności poszczególnych formatów znajduje się na karcie produktu.
Multiformat
E-booki sprzedawane w księgarni Virtualo.pl dostępne są w opcji
multiformatu - kupujesz treść, nie format. Po dodaniu e-booka do koszyka
i dokonaniu płatności, e-book pojawi się na Twoim koncie w Mojej
Bibliotece we wszystkich formatach dostępnych aktualnie dla danego
tytułu. Informacja o dostępności poszczególnych formatów znajduje się na
karcie produktu przy okładce. Uwaga: audiobooki nie są objęte opcją
multiformatu.
czytaj
na tablecie
Aby odczytywać e-booki na swoim tablecie musisz zainstalować specjalną
aplikację. W zależności od formatu e-booka oraz systemu operacyjnego,
który jest zainstalowany na Twoim urządzeniu może to być np. Bluefire
dla EPUBa lub aplikacja Kindle dla formatu MOBI.
Informacje na temat zabezpieczenia e-booka znajdziesz na karcie produktu
w "Szczegółach na temat e-booka". Więcej informacji znajdziesz w dziale
Pomoc.
czytaj
na czytniku
Czytanie na e-czytniku z ekranem e-ink jest bardzo wygodne i nie męczy
wzroku. Pliki przystosowane do odczytywania na czytnikach to przede
wszystkim EPUB (ten format możesz odczytać m.in. na czytnikach
PocketBook) i MOBI (ten fromat możesz odczytać m.in. na czytnikach Kindle).
Informacje na temat zabezpieczenia e-booka znajdziesz na karcie produktu
w "Szczegółach na temat e-booka". Więcej informacji znajdziesz w dziale
Pomoc.
czytaj
na smartfonie
Aby odczytywać e-booki na swoim smartfonie musisz zainstalować specjalną
aplikację. W zależności od formatu e-booka oraz systemu operacyjnego,
który jest zainstalowany na Twoim urządzeniu może to być np. iBooks dla
EPUBa lub aplikacja Kindle dla formatu MOBI.
Informacje na temat zabezpieczenia e-booka znajdziesz na karcie produktu
w "Szczegółach na temat e-booka". Więcej informacji znajdziesz w dziale
Pomoc.
Czytaj fragment
Pobierz fragment
Pobierz fragment w jednym z dostępnych formatów
LUB
24,99 zł za tytuł
Tytuł dostępny w abonamencie Empik Go już od 24,99 zł / 30 dni
Sprawdź
Słuchaj i czytaj w abonamencie Go Standard już za 24,99 zł / 30 dni. Subskrypcja Go Standard daje możliwość dodania do biblioteki 3 dowolne tytuły w danym okresie rozliczeniowym (30 dni). Wybierasz z ponad 200 tys. audiobooków, ebooków i podcastów.
The Copy–Cat and Other Stories - ebook
This is an excellent collection of softly written short stories set in early 20th century New England. In all the first stories of the collection, the main characters are children. Many of these stories are about ordinary people’s lives and the ways they find a way out of a difficult life.
| Kategoria: | Literature |
| Język: | Angielski |
| Zabezpieczenie: |
Watermark
|
| ISBN: | 978-83-8292-279-0 |
| Rozmiar pliku: | 3,0 MB |
FRAGMENT KSIĄŻKI
THE COPY-CAT
THAT affair of Jim Simmons’s cats never became known. Two little boys and a little girl can keep a secret–that is, sometimes. The two little boys had the advantage of the little girl because they could talk over the affair together, and the little girl, Lily Jennings, had no intimate girl friend to tempt her to confidence. She had only little Amelia Wheeler, commonly called by the pupils of Madame’s school “The Copy-Cat.”
Amelia was an odd little girl–that is, everybody called her odd. She was that rather unusual creature, a child with a definite ideal; and that ideal was Lily Jennings. However, nobody knew that. If Amelia’s mother, who was a woman of strong character, had suspected, she would have taken strenuous measures to prevent such a peculiar state of affairs; the more so because she herself did not in the least approve of Lily Jennings. Mrs. Diantha Wheeler (Amelia’s father had died when she was a baby) often remarked to her own mother, Mrs. Stark, and to her mother-in-law, Mrs. Samuel Wheeler, that she did not feel that Mrs. Jennings was bringing up Lily exactly as she should. “That child thinks entirely too much of her looks,” said Mrs. Diantha. “When she walks past here she switches those ridiculous frilled frocks of hers as if she were entering a ballroom, and she tosses her head and looks about to see if anybody is watching her. If I were to see Amelia doing such things I should be very firm with her.”
“Lily Jennings is a very pretty child,” said Mother-in-law Wheeler, with an under-meaning, and Mrs. Diantha flushed. Amelia did not in the least resemble the Wheelers, who were a handsome set. She looked remarkably like her mother, who was a plain woman, only little Amelia did not have a square chin. Her chin was pretty and round, with a little dimple in it. In fact, Amelia’s chin was the prettiest feature she had. Her hair was phenomenally straight. It would not even yield to hot curling-irons, which her grandmother Wheeler had tried surreptitiously several times when there was a little girls’ party. “I never saw such hair as that poor child has in all my life,” she told the other grandmother, Mrs. Stark. “Have the Starks always had such very straight hair?”
Mrs. Stark stiffened her chin. Her own hair was very straight. “I don’t know,” said she, “that the Starks have had any straighter hair than other people. If Amelia does not have anything worse to contend with than straight hair I rather think she will get along in the world as well as most people.”
“It’s thin, too,” said Grandmother Wheeler, with a sigh, “and it hasn’t a mite of color. Oh, well, Amelia is a good child, and beauty isn’t everything.” Grandmother Wheeler said that as if beauty were a great deal, and Grandmother Stark arose and shook out her black silk skirts. She had money, and loved to dress in rich black silks and laces.
“It is very little, very little indeed,” said she, and she eyed Grandmother Wheeler’s lovely old face, like a wrinkled old rose as to color, faultless as to feature, and swept about by the loveliest waves of shining silver hair.
Then she went out of the room, and Grandmother Wheeler, left alone, smiled. She knew the worth of beauty for those who possess it and those who do not. She had never been quite reconciled to her son’s marrying such a plain girl as Diantha Stark, although she had money. She considered beauty on the whole as a more valuable asset than mere gold. She regretted always that poor little Amelia, her only grandchild, was so very plain-looking. She always knew that Amelia was very plain, and yet sometimes the child puzzled her. She seemed to see reflections of beauty, if not beauty itself, in the little colorless face, in the figure, with its too-large joints and utter absence of curves. She sometimes even wondered privately if some subtle resemblance to the handsome Wheelers might not be in the child and yet appear. But she was mistaken. What she saw was pure mimicry of a beautiful ideal.
Little Amelia tried to stand like Lily Jennings; she tried to walk like her; she tried to smile like her; she made endeavors, very often futile, to dress like her. Mrs. Wheeler did not in the least approve of furbelows for children. Poor little Amelia went clad in severe simplicity; durable woolen frocks in winter, and washable, unfadable, and non-soil-showing frocks in summer. She, although her mother had perhaps more money wherewith to dress her than had any of the other mothers, was the plainest-clad little girl in school. Amelia, moreover, never tore a frock, and, as she did not grow rapidly, one lasted several seasons. Lily Jennings was destructive, although dainty. Her pretty clothes were renewed every year. Amelia was helpless before that problem. For a little girl burning with aspirations to be and look like another little girl who was beautiful and wore beautiful clothes, to be obliged to set forth for Madame’s on a lovely spring morning, when thin attire was in evidence, dressed in dark-blue-andwhite-checked gingham, which she had worn for three summers, and with sleeves which, even to childish eyes, were anachronisms, was a trial. Then to see Lily flutter in a frock like a perfectly new white flower was torture; not because of jealousy–Amelia was not jealous; but she so admired the other little girl, and so loved her, and so wanted to be like her.
As for Lily, she hardly ever noticed Amelia. She was not aware that she herself was an object of adoration; for she was a little girl who searched for admiration in the eyes of little boys rather than little girls, although very innocently. She always glanced slyly at Johnny Trumbull when she wore a pretty new frock, to see if he noticed. He never did, and she was sharp enough to know it. She was also child enough not to care a bit, but to take a queer pleasure in the sensation of scorn which she felt in consequence. She would eye Johnny from head to foot, his boy’s clothing somewhat spotted, his bulging pockets, his always dusty shoes, and when he twisted uneasily, not understanding why, she had a thrill of purely feminine delight. It was on one such occasion that she first noticed Amelia Wheeler particularly.
It was a lovely warm morning in May, and Lily was a darling to behold–in a big hat with a wreath of blue flowers, her hair tied with enormous blue silk bows, her short skirts frilled with eyelet embroidery, her slender silk legs, her little white sandals. Madame’s maid had not yet struck the Japanese gong, and all the pupils were out on the lawn, Amelia, in her clean, ugly gingham and her serviceable brown sailor hat, hovering near Lily, as usual, like a common, very plain butterfly near a particularly resplendent blossom. Lily really noticed her. She spoke to her confidentially; she recognized her fully as another of her own sex, and presumably of similar opinions.
“Ain’t boys ugly, anyway?” inquired Lily of Amelia, and a wonderful change came over Amelia. Her sallow cheeks bloomed; her eyes showed blue glitters; her little skinny figure became instinct with nervous life. She smiled charmingly, with such eagerness that it smote with pathos and bewitched.
“Oh yes, oh yes,” she agreed, in a voice like a quick flute obbligato. “Boys are ugly.”
“Such clothes!” said Lily.
“Yes, such clothes!” said Amelia.
“Always spotted,” said Lily.
“Always covered all over with spots,” said Amelia.
“And their pockets always full of horrid things,” said Lily.
“Yes,” said Amelia.
Amelia glanced openly at Johnny Trumbull; Lily with a sidewise effect.
Johnny had heard every word. Suddenly he arose to action and knocked down Lee Westminster, and sat on him.
“Lemme up!” said Lee.
Johnny had no quarrel whatever with Lee. He grinned, but he sat still. Lee, the sat-upon, was a sharp little boy. “Showing off before the gals!” he said, in a thin whisper.
“Hush up!” returned Johnny.
“Will you give me a writing-pad–I lost mine, and mother said I couldn’t have another for a week if I did–if I don’t holler?” inquired Lee.
“Yes. Hush up!”
Lee lay still, and Johnny continued to sit upon his prostrate form. Both were out of sight of Madame’s windows, behind a clump of the cedars which graced her lawn.
“Always fighting,” said Lily, with a fine crescendo of scorn. She lifted her chin high, and also her nose.
“Always fighting,” said Amelia, and also lifted her chin and nose. Amelia was a born mimic. She actually looked like Lily, and she spoke like her.
Then Lily did a wonderful thing. She doubled her soft little arm into an inviting loop for Amelia’s little claw of a hand.
“Come along, Amelia Wheeler,” said she. “We don’t want to stay near horrid, fighting boys. We will go by ourselves.”
And they went. Madame had a headache that morning, and the Japanese gong did not ring for fifteen minutes longer. During that time Lily and Amelia sat together on a little rustic bench under a twinkling poplar, and they talked, and a sort of miniature sun-and-satellite relation was established between them, although neither was aware of it. Lily, being on the whole a very normal little girl, and not disposed to even a full estimate of herself as compared with others of her own sex, did not dream of Amelia’s adoration, and Amelia, being rarely destitute of self-consciousness, did not understand the whole scope of her own sentiments. It was quite sufficient that she was seated close to this wonderful Lily, and agreeing with her to the verge of immolation.
“Of course,” said Lily, “girls are pretty, and boys are just as ugly as they can be.”
“Oh yes,” said Amelia, fervently.
“But,” said Lily, thoughtfully, “it is queer how Johnny Trumbull always comes out ahead in a fight, and he is not so very large, either.”
“Yes,” said Amelia, but she realized a pang of jealousy. “Girls could fight, I suppose,” said she.
“Oh yes, and get their clothes all torn and messy,” said Lily.
“I shouldn’t care,” said Amelia. Then she added, with a little toss, “I almost know I could fight.” The thought even floated through her wicked little mind that fighting might be a method of wearing out obnoxious and durable clothes.
“You!” said Lily, and the scorn in her voice wilted Amelia.
“Maybe I couldn’t,” said she.
This is a free sample. Please purchase full version of the book to continue.
THAT affair of Jim Simmons’s cats never became known. Two little boys and a little girl can keep a secret–that is, sometimes. The two little boys had the advantage of the little girl because they could talk over the affair together, and the little girl, Lily Jennings, had no intimate girl friend to tempt her to confidence. She had only little Amelia Wheeler, commonly called by the pupils of Madame’s school “The Copy-Cat.”
Amelia was an odd little girl–that is, everybody called her odd. She was that rather unusual creature, a child with a definite ideal; and that ideal was Lily Jennings. However, nobody knew that. If Amelia’s mother, who was a woman of strong character, had suspected, she would have taken strenuous measures to prevent such a peculiar state of affairs; the more so because she herself did not in the least approve of Lily Jennings. Mrs. Diantha Wheeler (Amelia’s father had died when she was a baby) often remarked to her own mother, Mrs. Stark, and to her mother-in-law, Mrs. Samuel Wheeler, that she did not feel that Mrs. Jennings was bringing up Lily exactly as she should. “That child thinks entirely too much of her looks,” said Mrs. Diantha. “When she walks past here she switches those ridiculous frilled frocks of hers as if she were entering a ballroom, and she tosses her head and looks about to see if anybody is watching her. If I were to see Amelia doing such things I should be very firm with her.”
“Lily Jennings is a very pretty child,” said Mother-in-law Wheeler, with an under-meaning, and Mrs. Diantha flushed. Amelia did not in the least resemble the Wheelers, who were a handsome set. She looked remarkably like her mother, who was a plain woman, only little Amelia did not have a square chin. Her chin was pretty and round, with a little dimple in it. In fact, Amelia’s chin was the prettiest feature she had. Her hair was phenomenally straight. It would not even yield to hot curling-irons, which her grandmother Wheeler had tried surreptitiously several times when there was a little girls’ party. “I never saw such hair as that poor child has in all my life,” she told the other grandmother, Mrs. Stark. “Have the Starks always had such very straight hair?”
Mrs. Stark stiffened her chin. Her own hair was very straight. “I don’t know,” said she, “that the Starks have had any straighter hair than other people. If Amelia does not have anything worse to contend with than straight hair I rather think she will get along in the world as well as most people.”
“It’s thin, too,” said Grandmother Wheeler, with a sigh, “and it hasn’t a mite of color. Oh, well, Amelia is a good child, and beauty isn’t everything.” Grandmother Wheeler said that as if beauty were a great deal, and Grandmother Stark arose and shook out her black silk skirts. She had money, and loved to dress in rich black silks and laces.
“It is very little, very little indeed,” said she, and she eyed Grandmother Wheeler’s lovely old face, like a wrinkled old rose as to color, faultless as to feature, and swept about by the loveliest waves of shining silver hair.
Then she went out of the room, and Grandmother Wheeler, left alone, smiled. She knew the worth of beauty for those who possess it and those who do not. She had never been quite reconciled to her son’s marrying such a plain girl as Diantha Stark, although she had money. She considered beauty on the whole as a more valuable asset than mere gold. She regretted always that poor little Amelia, her only grandchild, was so very plain-looking. She always knew that Amelia was very plain, and yet sometimes the child puzzled her. She seemed to see reflections of beauty, if not beauty itself, in the little colorless face, in the figure, with its too-large joints and utter absence of curves. She sometimes even wondered privately if some subtle resemblance to the handsome Wheelers might not be in the child and yet appear. But she was mistaken. What she saw was pure mimicry of a beautiful ideal.
Little Amelia tried to stand like Lily Jennings; she tried to walk like her; she tried to smile like her; she made endeavors, very often futile, to dress like her. Mrs. Wheeler did not in the least approve of furbelows for children. Poor little Amelia went clad in severe simplicity; durable woolen frocks in winter, and washable, unfadable, and non-soil-showing frocks in summer. She, although her mother had perhaps more money wherewith to dress her than had any of the other mothers, was the plainest-clad little girl in school. Amelia, moreover, never tore a frock, and, as she did not grow rapidly, one lasted several seasons. Lily Jennings was destructive, although dainty. Her pretty clothes were renewed every year. Amelia was helpless before that problem. For a little girl burning with aspirations to be and look like another little girl who was beautiful and wore beautiful clothes, to be obliged to set forth for Madame’s on a lovely spring morning, when thin attire was in evidence, dressed in dark-blue-andwhite-checked gingham, which she had worn for three summers, and with sleeves which, even to childish eyes, were anachronisms, was a trial. Then to see Lily flutter in a frock like a perfectly new white flower was torture; not because of jealousy–Amelia was not jealous; but she so admired the other little girl, and so loved her, and so wanted to be like her.
As for Lily, she hardly ever noticed Amelia. She was not aware that she herself was an object of adoration; for she was a little girl who searched for admiration in the eyes of little boys rather than little girls, although very innocently. She always glanced slyly at Johnny Trumbull when she wore a pretty new frock, to see if he noticed. He never did, and she was sharp enough to know it. She was also child enough not to care a bit, but to take a queer pleasure in the sensation of scorn which she felt in consequence. She would eye Johnny from head to foot, his boy’s clothing somewhat spotted, his bulging pockets, his always dusty shoes, and when he twisted uneasily, not understanding why, she had a thrill of purely feminine delight. It was on one such occasion that she first noticed Amelia Wheeler particularly.
It was a lovely warm morning in May, and Lily was a darling to behold–in a big hat with a wreath of blue flowers, her hair tied with enormous blue silk bows, her short skirts frilled with eyelet embroidery, her slender silk legs, her little white sandals. Madame’s maid had not yet struck the Japanese gong, and all the pupils were out on the lawn, Amelia, in her clean, ugly gingham and her serviceable brown sailor hat, hovering near Lily, as usual, like a common, very plain butterfly near a particularly resplendent blossom. Lily really noticed her. She spoke to her confidentially; she recognized her fully as another of her own sex, and presumably of similar opinions.
“Ain’t boys ugly, anyway?” inquired Lily of Amelia, and a wonderful change came over Amelia. Her sallow cheeks bloomed; her eyes showed blue glitters; her little skinny figure became instinct with nervous life. She smiled charmingly, with such eagerness that it smote with pathos and bewitched.
“Oh yes, oh yes,” she agreed, in a voice like a quick flute obbligato. “Boys are ugly.”
“Such clothes!” said Lily.
“Yes, such clothes!” said Amelia.
“Always spotted,” said Lily.
“Always covered all over with spots,” said Amelia.
“And their pockets always full of horrid things,” said Lily.
“Yes,” said Amelia.
Amelia glanced openly at Johnny Trumbull; Lily with a sidewise effect.
Johnny had heard every word. Suddenly he arose to action and knocked down Lee Westminster, and sat on him.
“Lemme up!” said Lee.
Johnny had no quarrel whatever with Lee. He grinned, but he sat still. Lee, the sat-upon, was a sharp little boy. “Showing off before the gals!” he said, in a thin whisper.
“Hush up!” returned Johnny.
“Will you give me a writing-pad–I lost mine, and mother said I couldn’t have another for a week if I did–if I don’t holler?” inquired Lee.
“Yes. Hush up!”
Lee lay still, and Johnny continued to sit upon his prostrate form. Both were out of sight of Madame’s windows, behind a clump of the cedars which graced her lawn.
“Always fighting,” said Lily, with a fine crescendo of scorn. She lifted her chin high, and also her nose.
“Always fighting,” said Amelia, and also lifted her chin and nose. Amelia was a born mimic. She actually looked like Lily, and she spoke like her.
Then Lily did a wonderful thing. She doubled her soft little arm into an inviting loop for Amelia’s little claw of a hand.
“Come along, Amelia Wheeler,” said she. “We don’t want to stay near horrid, fighting boys. We will go by ourselves.”
And they went. Madame had a headache that morning, and the Japanese gong did not ring for fifteen minutes longer. During that time Lily and Amelia sat together on a little rustic bench under a twinkling poplar, and they talked, and a sort of miniature sun-and-satellite relation was established between them, although neither was aware of it. Lily, being on the whole a very normal little girl, and not disposed to even a full estimate of herself as compared with others of her own sex, did not dream of Amelia’s adoration, and Amelia, being rarely destitute of self-consciousness, did not understand the whole scope of her own sentiments. It was quite sufficient that she was seated close to this wonderful Lily, and agreeing with her to the verge of immolation.
“Of course,” said Lily, “girls are pretty, and boys are just as ugly as they can be.”
“Oh yes,” said Amelia, fervently.
“But,” said Lily, thoughtfully, “it is queer how Johnny Trumbull always comes out ahead in a fight, and he is not so very large, either.”
“Yes,” said Amelia, but she realized a pang of jealousy. “Girls could fight, I suppose,” said she.
“Oh yes, and get their clothes all torn and messy,” said Lily.
“I shouldn’t care,” said Amelia. Then she added, with a little toss, “I almost know I could fight.” The thought even floated through her wicked little mind that fighting might be a method of wearing out obnoxious and durable clothes.
“You!” said Lily, and the scorn in her voice wilted Amelia.
“Maybe I couldn’t,” said she.
This is a free sample. Please purchase full version of the book to continue.
więcej..
