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Oriental Studies and Arts. Contributions Dedicated to Professor Tadeusz Majda on His 85th Birthday - ebook

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Oriental Studies and Arts. Contributions Dedicated to Professor Tadeusz Majda on His 85th Birthday - ebook

This volume is respectfully dedicated to Professor Tadeusz Majda, a renowned scholar in the fields of Oriental Studies and Art History. His numerous publications attest to his preeminent scholarly standing. But it is not the high number of his books and articles that alone mark him as a true teacher and a man of knowledge. It is the position he holds among his learned colleagues; the intense interest in his works shown by his disciples and students; the respect that he has earned among the public; and his values, wisdom,
and gentle sense of humour that have all made him a true scholar, one to be followed. And of course there is his admirable elegance and charm.
The scholarly fields represented by Professor Majda, Oriental Studies with a special focus on Turkology and the history of Oriental Art — mainly the art of the Middle East — are disciplines which require skills in multiple languages, a knowledge of history, a love of literature, a taste for the arts, an interest in Asia and many other traits and qualities, all of which have been acquired by Professor Majda.

(from Preface by Agata Bareja-Starzyńska)

Kategoria: Multi-Cultural
Język: Angielski
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ISBN: 978-83-8002-552-3
Rozmiar pliku: 24 MB

FRAGMENT KSIĄŻKI

PREFACE

This volume is respectfully dedicated to Professor Tadeusz Majda, a renowned scholar in the fields of Oriental Studies and Art History. His numerous publications attest to his preeminent scholarly standing. But it is not the high number of his books and articles that alone mark him as a true teacher and a man of knowledge. It is the position he holds among his learned colleagues; the intense interest in his works shown by his disciples and students; the respect that he has earned among the public; and his values, wisdom, and gentle sense of humour that have all made him a true scholar, one to be followed. And of course there is his admirable elegance and charm.

The scholarly fields represented by Professor Majda, Oriental Studies with a special focus on Turkology and the history of Oriental Art — mainly the art of the Middle East — are disciplines which require skills in multiple languages, a knowledge of history, a love of literature, a taste for the arts, an interest in Asia and many other traits and qualities, all of which have been acquired by Professor Majda.

Scholarship requires an institutional framework. Professor Majda devoted a great amount of his time and energy to the organization of Oriental Studies at the University of Warsaw. In 2015 Professor Majda celebrated his 60^(th) year there. For many years he headed the University’s Turkology Department, served as Director of the Institute of Oriental Studies (1981-1984; now the Faculty of Oriental Studies) and as Dean of the Faculty of Modern Languages (1985-1986). Beginning in 1990, he served as the head of Eastern European Studies, a part of the University’s Institute (now Faculty) of Oriental Studies, for over 20 years.

As a result of his deep interest in the arts of the Middle East, Professor Majda invested 25 years in heading the Collection of Oriental Art in the National Museum in Warsaw. He put much effort into securing for Oriental Art its rightful place within Oriental Studies.

Professor Majda’s work has been acknowledged at home and abroad. He has been awarded the title of Doctor Honoris Causa by the University of Ankara (2004), the Knight’s Cross of the Order of Polonia Restituta (2014), the Badge of Honour “Bene Merito” (2014) and the Gold Medal for Merit to Culture – Gloria Artis (2014).

We are all fortunate that Professor Majda invested his talents, time and passions in Oriental Studies and Oriental Art. Those who have benefitted from the fruits of his work include not only generations of Orientalists, but art historians, scholars and students of literature, arts, languages and many other subjects, and the broad public.

We are all deeply thankful and therefore dedicate this volume with our best wishes and warmest regards to Professor Tadeusz Majda as a small token of our gratitude.

On behalf of the editors and authors

Agata Bareja-Starzyńska

Head of the Department of Turkish Studies

and Inner Asian Peoples

Faculty of Oriental Studies

University of WarsawTabula Gratulatoria

Mustafa Balcı, University of Kırıkkale, Turkey

Agata Bareja-Starzyńska, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Beata Biedrońska-Słotowa, National Museum in Cracow, Poland

Joanna Bojarska-Cieślik, National Museum in Warsaw, Poland

Barbara Chwilczyńska-Wawrzyniak, Iranian Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Dariusz Cichocki, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Joanna Dolińska, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Marek M. Dziekan, Chair of the Middle East and North Africa, University of Łódź, Poland

Öztürk Emiroğlu, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Muhittin Ersungur, Çukurova Universitesy, Turkey

Marzena Godzińska, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Stanisław Godziński, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Henryk Jankowski, Adam Mickiewicz University in Poznań, Poland

Stanisław Jaśkowski, Iranian Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Zofia Józefowicz, Warsaw, Poland

Agnieszka Ayşen Kaim, University of Łódź, Poland

Shahla Kazimova, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Dariusz Kołodziejczyk, Institute of History, University of Warsaw, Poland

Anna Kozak, National Museum in Warsaw, Poland

Maria Kozłowska, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Jolanta Kozłowska, Warsaw, Poland

Paulina Lewicka, Chair of Arabic and Islamic Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Ewa Machut-Mendecka, Chair of Arabic and Islamic Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Anna Katarzyna Maleszko, National Museum in Warsaw, Poland

Mirosław Michalak, Iranian Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Agata S. Nalborczyk Department for European Islam Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Katarzyna Pachniak, Chair of Arabic and Islamic Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Anna Parzymies, Department for European Islam Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Magdalena Pinker, Chair of Arabic and Islamic Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Magdalena Piwocka, Wawel Royal Castle, Cracow, Poland

Jadwiga Pstrusińska, Iranian Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Małgorzata Redlak, Collection of Oriental Art, National Museum in Warsaw, Poland

Magdalena Rodziewicz, Iranian Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Jan Rogala, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Ewa Siemieniec-Gołaś, Jagiellonian University, Cracow, Poland

Bogdan Składanek, Iranian Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Maria Składankowa, Iranian Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Kamil Stachowski, Department of the History of Languages and Linguistics, Jagiellonian University, Cracow, Poland

Marek Stachowski, Jagiellonian University, Cracow, Poland

Kamila Barbara Stanek, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Anna Sulimowicz, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Jolanta Sierakowska-Dyndo, Faculty of Oriental Studies, University of Warsaw, Poland

Sylwia Surdykowska, Iranian Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Magdalena Szpindler, Oriental Art Collection, National Museum in Warsaw, Poland

Hacer Topaktaş, University of Istanbul, Turkey

Piotr Taracha, Faculty of Oriental Studies, University of Warsaw, Poland

Anna Maria Trynkowska, Chair of South Asian Studies, Faculty of Oriental Studies, University of Warsaw, Poland

Jerzy Tulisow, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Mehmet Ülker, Yunus Emre Enstitüsü, Turkey

Asli Uysal-Cevgin, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Bogusław R. Zagórski, Ibn Khaldun Institute / Collegium Civitas, Warsaw, Poland

Grażyna Zając, Jagiellonian University, Cracow, Poland

Agnieszka Zastawna-Templin, Department of Turkish Studies and Inner Asian Peoples, Faculty of Oriental Studies, University of Warsaw, Poland

Konrad Zasztowt, Department for European Islam Studies, Faculty of Oriental Studies, University of Warsaw, PolandKamila Barbara Stanek

Professor Tadeusz Majda – Biography of a Scholar

In this article the attempt was made to present the variety of Professor Majda’s interests in numerous branches of Oriental studies, not only in Turkology, but also in Arabic studies and the field of Islamic art. The versatility of Professor’s interests is accompanied by enormous passion with which he undertakes new challenges and devotes himself to his work. Professor Tadeusz Majda can certainly be proud of his rich scholarly achievements, numerous successes in the fields of teaching and education, as well as his active participation in the university life in his capacity as Head of the Department of Turkish Studies, Director of the Institute of Oriental Studies and Dean of the Faculty of Modern Languages. Not only Professor’s research activities, but also his promotion of Turkish art and culture, as well as Islamic art, deserve a special attention. His achievements in the field of Turkish studies have been acknowledged by the Senate of the Ankara University that distinguished Professor with the title of doctor honoris causa in 2003. In the same year, the Turkish Cultural Foundation awarded Professor with a medal for the promotion of the Turkish language and culture. In 2014, Professor Tadeusz Majda was granted the following awards and prizes:

– Knight’s Cross of the Order of Polonia Restituta – bestowed by the President of Poland on February 20^(th) 2014,

– Bene Merito Badge of Honour – bestowed by the Minister of Foreign Affairs on May 26^(th) 2014,

– Gloria Artis Gold Medal for Merit to Culture – bestowed by the Minister of Culture and National Heritage on June 11^(th) 2014.

The list of publications by Professor Majda was presented in 2006 in the book Oriental Studies in Art and Culture in Honour of Professor Tadeusz Majda (Warsaw, Wydawnictwo Akademickie Dialog, 2006). Therefore, it was necessary to include to the prsent volume the amended bibliography supplemented with the latest data from 2012 (Szkice z dziejów polskiej orientalistyki , Wydawnictwa Uniwersytetu Warszawskiego, Warsaw 2012). In this part of the article there is also provided information about Professor’s teaching activities, participation in congresses and conferences, lectures delivered by him abroad and his work activities in the National Museum in Warsaw.

Professor Tadeusz Majda was born in 1930 in Skolimów near Warsaw (present day Konstancin-Jeziorna) into a family of school teachers. After World War II he was enrolled in a high school in Słupsk. Having passed his A-level exam, at the suggestion of his teachers he decided to pursue Oriental studies at the Institute of Oriental Studies at the University of Warsaw, which in 1951 announced the launch of regular full-time studies in nine fields.

After passing the entrance exam and a successful interview, Tadeusz Majda started Turkish studies under the supervision of Professors Ananiasz Zajączkowski, Jan Reychman and Józef Bielawski. The chosen course of studies included learning three languages of the Middle East: Turkish, Arabic and Persian as well as the literature and history of Turkey, Arab countries and Iran. Interests of his lecturers, and his master’s Professor Ananiasz Zajączkowski in particular, strongly influenced Professor Tadeusz Majda’s scholarly pursuits, which were mainly concentrated on the Ottoman studies and the languages of the Kipchak group. His interest in Turkish art and, furthermore, in Islamic art came in the 1970s, during the preparation of the catalogue of Persian and Turkish manuscripts. This interest was consequently increased when Professor Tadeusz Majda worked with MA Alina Mrozowska on the album of miniatures of Turkish costumes and genre scenes. This album was kept in the University of Warsaw Library and originated from the royal library of the Polish king Stanisław August Poniatowski.

Professor Tadeusz Majda’s Master’s thesis focused on the language of the collection of poems by Sultan Süleyman the Magnificent who used an artistic name Muhibbi . The collection was based on an early copy of a manuscript from the University of Warsaw Library. Professor’s PhD thesis The topic of Yusuf ile Züleyha in Turkish literature until the fifteenth century (in Polish) was dedicated to one of the most widespread in the Middle East and Central Asia literary plots rooted in the Koran and commentaries to the Koran. Tadeusz Majda’s habilitation dissertation The development of Turkish language in the seventeenth century (in Polish) is a study of the seventeenth century Ottoman language in Spanish language, carried out on the basis of the manuscript from the collection of the Wroclaw University Library.

Professor Tadeusz Majda served in various roles at the University of Warsaw. For many years he was Head of Turkology, Director of the Oriental Institute (1981-1984), (now Faculty of Oriental Studies) and Dean of the Faculty of Modern Languages (1985-1986). Moreover, Professor Tadeusz Majda headed the Centre for East European and Central Asia Studies at the Institute of Oriental Studies for more than 20 years since 1990.

Professor’s academic work has always been linked to the University of Warsaw. Nevertheless, he also actively maintained contacts with institutions devoted to the Oriental studies abroad, where he conducted his research, lectured and participated in symposia, conferences and research projects. As a grant holder, Professor Tadeusz Majda carried out research in Egyptian archives and libraries in 1961. He also completed numerous study and research internships – in Turkey (1968), Cambridge – thanks to the British Council scholarship (1974), University of Vilnius (1974), University of Strasbourg (1978), University of Sarajevo (1978) and University of Minnesota (1988). Moreover, Professor Tadeusz Majda did his research internship in the field of Islamic art in the museums of New York, Boston and Washington (1992), and at the University of Vilnius (1993). Professor Tadeusz Majda gave lectures in the following institutions devoted to the Oriental studies: University of Cambridge, Indiana University Bloomington, “L’Orientale” University of Naples, University of Strasbourg and University of Bamberg.

Important dates in Professor Tadeusz Majda’s academic career:

– 1955 – employment as an aide (in the fifth year of studies) in the Institute of Oriental Studies – Turkology.

– 1956 – Master’s degree and employment as an assistant in the Institute of Oriental Studies – Turkology.

– 1965 – PhD degree.

– 1990 – Head of Centre for East European and Central Asia Studies at the Institute of Oriental Studies (now Centre for East European Studies) at the University of Warsaw, which was called the Seminar for Nationality Problems of the Soviet Union and Central Europe from 1988 to 1990.

– 1982 – Habilitated doctor degree.

– 1990 – Associate professor degree.

– 1998 – Professor degree.

– 2004 – Doctor honoris causa of the University of Ankara.¹

Although it has been almost 60 years, since Professor Tadeusz Majda received his Master’s degree, his work and interest in the research on Turkish language, literature, culture and art, as well as Islamic art in general, have been flourishing and result every year in new articles, books, exhibitions and research projects.

A wide range of Professor’s interests is illustrated by his work and activities, showing him as a scholar (e.g. through his work carried out on the Ottoman and Turkish texts, publications, reviews, participation in academic symposia and organization of conferences), lecturer (delivering lectures, publishing academic handbooks and anthologies, as well as supervision of Master’s and PhD theses), and curator of the National Museum in Warsaw (preparing exhibitions, working on the catalogues and articles about art). On the one hand, Professor’s academic work has been mostly concentrated on the Ottoman language literature and Turkic languages from the Kipchak group (Mamluk-Kipchak, the language of the Golden Horde and Chagatai). On the other hand, it includes didactic materials and lectures too. Last but not least, Professor’s publications have been devoted to the Islamic art and culture with a particular focus on the Turkish and Persian art. Interviews and meetings with his students on the numerous occasions have confirmed Professor’s broad and multifaceted knowledge and his ability to share it with others. Therefore, it will certainly not be an exaggeration to call Professor Tadeusz Majda the Renaissance Man. Indeed, very few researches undertake as many various challenges as him, starting with publishing works on language, literature, translation, culture, the Oriental art, and ending with architecture, costumes and weaponry. Even a single glance at Professor’s bibliography gives a testimony of his knowledge and passions.

Professor’s work in the National Museum of Warsaw constitutes another significant part of his academic and promotional activities. In 1989 he became Head of Oriental Arts Collections that include Chinese, Japanese, Buddhist and Islamic art. During more than 20 years the department organized several dozens of exhibitions in Warsaw and one abroad (Istanbul 1999), as well as prepared and published more than 10 exhibition and collection catalogues. In cooperation with PhD Małgorzata Redlak and MA Maciej Kwaśniewski, Professor Tadeusz Majda personally organized exhibitions in the field of Islamic art that well illustrated its abundant presence in the Polish collections. They included Persian art of the Qajar period, War and Peace. Turkish art treasures in the Polish collections, as well as Masterpieces of Persian art from Polish collections. Exhibitions were accompanied by academic symposia attended by foreign scholars and by a range of public lectures (cf. Bibliography).

Apart from conducting Master and PhD seminars in the field of Turkology, Professor Tadeusz Majda currently delivers the following lectures to his students: Introduction to Turkology and Aesthetics of the East and West. Moreover, he has been carrying out seminars on various topics at other universities in Poland and abroad, as well as he has taken part in numerous conferences and academic meetings.

Seminars and lectures conducted in the Section of Interdisciplinary Eurasian Studies of the Jagiellonian University:

1996/1997: Seminarium celto-azjatycke Paralele celto-azjatyckie w literaturze i sztuce .

1997/1998: Seminarium celto-azjatyckie Paralele pomiędzy obrzędowością i mitologią azjatycką i staro celtycką .

1999/2000: Seminarium euroazjatyckie Sztuka prowadzenia pojedynków w kulturze celtyckiej i środkowoazjatyckiej .

2000/2001: Seminarium euroazjatyckie Iran i Azja Środkowa a kultury europejskie. Językowe kontakty między Słowianami a ludami tureckimi. Święta, wierzenia, muzyka i mity środkowoazjatyckie i celtyckie .

2001/2002: Seminarium eurazjatyckie – miscellanea eurasiatica Sztuka Andaluzji – od Wizygotów do Omajjadów .

2002/2003 – Idea piękna w sztuce islamu (in cooperation with the History of Ideas Research Center of the Jagiellonian University).

2004/2005 – Wybrane wyrażenia stereotypowe we wczesnej epice tureckiej .

Exhibitions, essays and lectures related to the exhibitions:

Sztuka perska okresu kadżarskiego 1779-1924 , Zamoyski Museum in Kozłówka, May – October 1996, preparation of the catalogue: Dzieje Persji (Iranu) 1779-1924 .

Sztuka perska okresu kadżarskiego , entries author, translation into English.

Wojna i pokój – Stosunki polsko-tureckie od XV do XIX wieku , exhibition catalogue, Turkish and Islamic Arts Museum, Istanbul, 20^(th) June – 20^(th) October 1999, Istanbul 1999, essay Ottoman Art in the Polish Collections.

Wojna i Pokój. Skarby sztuki tureckiej ze zbiorów polskich , National Museum in Warsaw, 25^(th) February –3^(rd) May 2000, exhibition curator, scientific editor of the catalogue, essay Sztuka turecka w zbiorach polskich , Warsaw 2000.

Arcydzieła sztuki perskiej ze zbiorów polskich , National Museum in Warsaw, 22^(nd) April – 30^(th) June 2002, exhibition curator, catalogue editor, essay Sztuka perska – wystawy w Warszawie i Krakowie w 2002 roku , National Museum in Krakow, 9^(th) August – 17^(th) November 2002.

Orientalizm w malarstwie, rysunku i grafice w Polsce w XIX i pierwszej połowie XX wieku , exhibition curator in cooperation with Anna Kozak, scientific editor of the catalogue, essay Orientalizm w Polsce , National Museum in Warsaw, 17^(th) October – 21^(st) December 2008.

Photograms exhibition presenting cultural relations between Poland and Iran until the 20^(th) century. Commissioned by the Polish Ministry of Foreign Affairs in 2008, it was shown in the Iranian Artists House in Tehran and in other Iranian cities. Lecture Sztuka perska w Polsce .

Daleki sąsiad – bliskie wspomnienia. 600 lat stosunków Turcji i Polski , 3^(rd) March – 15^(th) June 2014, exhibition curator in cooperation with Nazan Ölçer and Zeren Tanındı, Sabancı University’s Sakıp Sabancı Museum, exhibition prepared by the National Museum in Warsaw.

Participation in the ceremonial promotion of the book Masterpieces of Persian Art from Polish Collections – Iranian Academy of Arts in Tehran on 17^(th) February 2014.

Orientalizm w sztuce polskiej 23^(rd) October 2014 – 18^(th) January 2015, exhibition curator, Pera Museum in Istanbul, exhibition prepared by the National Museum in Warsaw.

Conferences and symposia in Poland and abroad:

Participation in all meetings of International Congress of Turkish Art – ICTA since 1971 as a secretary of the International Standing Committee of the ICTA.

Organization of 7^(th) International Congress of Turkish Art in Warsaw in 1983.

Karykatura w okresie Rewolucji Młodotureckiej 1908 roku , 1^(st) Conference of Polish Turkologists, Poznań 2007.

Wątek „Yusuf u Züleyha” Haliloğlu Alego , 2^(nd) Conference of Polish Turkologists, Warsaw 2008.

Album of Turkish Costumes at the National Library in Warsaw, Symposium “Art, Artists and Patrons in the 17^(th) Century Istanbul”, Pera Museum, Istanbul, Swedish Research Institute in Istanbul, 6^(th) – 7^(th) October 2009.

Ibrahim Bey (Joachim Strasz) – un interprète polonais predécesseur de Ali Ufki Bey à la Sublime Porte , “Antoine Galland et Ali Ufki Bey, interprète de la civilisation ottomano-musulmane” , Institut Français, Izmir 20^(th)-24^(th) May 2009.

Ilustracje do poematu Lajla wa Madżnun , VIII Ogólnopolska Konferencja Arabistyczna , University of Warsaw, Warsaw 8^(th) May 2009.

Osmanizacja pisanego języka Tatarów polsko-litewskich , conference Tatarzy Wielkiego Księstwa Litewskiego w języku, kulturze i historii organized by the Faculty of Polish Studies at the Nicolaus Copernicus University in Toruń, 10^(th)-11^(th) September 2009.

Polonya’da Türkoloji Çalışmaları Tarihçesi , TOBB University of Economics & Technology in Ankara, May 2010.

Znaczenie zbiorów cönk dla studiów tureckiej poezji ludowej , 6^(th) Conference of Polish Turkologists, Poznań 2010.

Ibrahim Bey – Joachim Strasz – pierwszy dragoman Wysokiej Porty , 5^(th) Conference of Polish Turkologists, University of Warsaw, 1^(st) – 2^(nd) June 2011.

Ceremonial entrances to Istanbul of the Polish Republic deputies and their audiences with the Grand Vizier and the Sultan, ,,Sztuka i dyplomacja. Związki sztuki i polskiej dyplomacji w epoce nowożytnej” , Warsaw Branch of the Association of Art Historians, 3^(rd) – 4^(th) November 2011.

Iconographic representations of Audiences of Polish envoys to the Ottoman Court, „Daleki sąsiad – bliskie wspomnienia. 600 lat stosunków Turcji i Polski” , Sabancı University’s Sakıp Sabancı Museum, Istanbul 7^(th) – 8^(th) March 2014.

Karykatura w okresie Rewolucji Młodotureckiej 1908 roku , VIII. Milletlerarası Türkoloji Kongresi , 30^(th) September – 4^(th) October 2014.

Orientalist painter Tadeusz Ajdukiewicz, „Orientalizm w sztuce polskiej” , Pera Museum in Istanbul, 25^(th) October 2014.

Research projects:

Antologia poezji ludowej – cönk z 1710 r. ze zbiorów Biblioteki Jagiellońskiej .

Miniatury perskie, mogolskie i tureckie w zbiorach polskich .

Naukowe opracowanie i wydanie rękopisu Wacława Rzewuskiego „Sur les chevaux orientaux” , National Library of Poland, scientific editor, head of the scientific team.

Wydanie krytyczne poematu „Yusuf u Züleyha” Haliloğlu Ali (XIV w.) .

Doctoral supervisor:

Krystyna Suszko, Struktura rodziny tureckiej po drugiej wojnie światowej , 1986.

Irena Tatarzyńska, Turecka inteligencja twórcza wobec europeizacji Imperium Osmańskiego – od tanzimatu do republiki (1839-1923) , 1986.

Agnieszka Zastawna, Myśl społeczno-polityczna i humanistyczna Bülenta Ecevita – tureckiego poety i polityka , 2001.

Agnieszka Ayşen Kaim, Meddah – turecki teatr jednego aktora. Spotkanie tradycji kultury ustnej z kulturą widowiskową , 2006.

Piotr Kwiatkowski, Kreowanie idei władzy u dawnych Turków na podstawie inskrypcji runicznych , 2009.

Muhittin Ersungur, Social and Political Criticism of Turkish Society in Ahmet Hamdi Tanpınar’s Works, 2010.

Kamila Barbara Stanek, Językowy obraz świata uczuć we frazeologii i przysłowiach tureckich , 2011.

Doctoral thesis advisor:

Anna Młynarczyk

Małgorzata Pilczuk

Melaike Hüseyin Mierzejewski

Participation in the review of proposed doctoral theses:

Grażyna Zając, Jagiellonian University

Dorota Jakubik, University of Warsaw

Jakub Wódka, Polish Academy of Sciences, Warsaw

Małgorzata Redlak, University of Warsaw

Participation in the review of proposed habilitation theses:

Anna Parzymies, University of Warsaw

Czesław Łapicz, Nicolaus Copernicus University in Toruń

Grażyna Zając, Jagiellonian University

Jan Ciopiński, Jagiellonian University

Marian Bałczewski, University of Łódź (habilitation at the Faculty of Modern Languages of the University of Warsaw)

Öztürk Emiroğlu, University of Warsaw

References:

A Biography of Turkic Studies in The Orient Review 1948-2008, Dorota Smętek, Department of Turkic, Mongolian and Korean Studies, Adam Mickiewicz University, Poznan 2009.

Prof. Dr. Tadeusz Majda ile Söyleşi, Yard. Doç. Dr. Öztürk Emiroğlu, Dil ve Edebiyat Dergisi, Sayı 631, Temmuz 2004, pp. 38-43.

Profesor Tadeusz Majda – a profile of a researcher, Kamila Barbara Stanek, in: Sketches from the History of Polish Oriental Studies, vol. 6, Warsaw 2013, pp. 11-47.

Studies in Oriental Art and Culture in Honor of Professor Tadeusz Majda, ed. by Anna Parzymies, Wydawnictwo Akademickie DIALOG, Warsaw 2006, pp. 11-25.

University Student Service System – University of Warsaw Theses Archive.

http://arsiv.ankara.edu.tr/text/yazicidostu.php?yad=1803

http://bibliografia.icm.edu.pl/g2/english.pl?mod=s&p=15&j=1&id_jednostki=5334&lim=25&ord=1

http://bibliografia.icm.edu.pl/g2/main.pl?mod=s&p=1&j=1&id_jednostki=1&a=1&imie=tadeusz&nazwisko=majda&c=1&czasopismo=&lim=25&ord=1Wydawnictwo Akademickie DIALOG

specjalizuje się w publikacji książek dotyczących języków, zwyczajów, wierzeń, kultur, religii, dziejów i współczesności świata Orientu.

Naszymi autorami są znani orientaliści polscy i zagraniczni, wybitni znawcy tematyki Wschodu.

Wydajemy także przekłady bogatej i niezwykłej literatury pięknej krajów Orientu.

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